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Designer/History. Designed by Günter Gerhard Lange and issued by Berthold in 1896, Akzidenz was the forerunner of the ubiquitous Helvetica. It was used as a text font in Europe, especially Switzerland, until being supplanted by Univers and Helvetica, although in recent years it has made a comeback.
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Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time. Berthold.
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Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing , and "grotesque" was a standard name for sans-serif typefaces at the time.
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Complete family of 30 fonts: $1,095.00. Akzidenz-Grotesk Font Family was designed by Günter Gerhard Lange, Berthold Design Studio and published by Berthold . Akzidenz-Grotesk contains 60 styles and family package options. More about this family. Aa Glyphs.
Typography poster series / Akzidenz Grotesk by Hillary Jones on Dribbble
Akzidenz-Grotesk's background. As you can read over on the Klim Type Foundry website, the regular weight of Akzidenz-Grotesk was derived from Schattierte Grotesk, a drop-shadowed display typeface that the Bauer & Co. type foundry in Stuttgart and Düsseldorf published in 1895. Clip the drop shadows off of Schattierte Grotesk's letters and you get the Akzidenz-Grotesk design.
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CC Accidenz Commons was designed by Archetypo, a research and type design collective based in Germany and Chile. Archetypo designed the font under these basic premises: To establish a quality framework for a typeface based on the original design of Akzidenz Grotesk. To improve the original canonic design that precedes Helvetica and optimize it.
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Sans-serif. Akzidenz Grotesk Font Free Download. Here is the Akzidenz-Grotesk that is the member of the sans-serif family and it was initially released by the Berthold Type Foundry for the first time in 1896. This font has indicated this from the beginning that it was used for business prints such as tickets and forms.
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Akzidenz Grotesk is a grotesque sans-serif typeface that dates back to 1896. It was the first sans-serif typeface to ever be widely used and it later influenced the design of Helvetica. Akzidenz Grotesk has a much lower x-height than Helvetica which is an easy way to tell the two apart.
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Akzidenz-Grotesk. Probably the most influential typeface for this movement, Akzidenz-Grotesk was released by the Berthold Type Foundry in 1896 and was arguably the first of its kind. It soon became one of the most widely used typefaces and was even sold in the U.S. under the names "Standard" or "Basic Commercial."
Akzidenz Grotesk
Akzidenz Grotesk Font Free Download. Akzidenz Grotesk Font is a sans-serif typeface released in 1898 by the most significant and popular foundry, Berthold Type Foundry situated in Berlin as it was released in the early 19th century. Hence, it provides you with the vibes of traditional typefaces.
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Akzidenz Grotesk Font is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
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Akzidenz-Grotesk was the major typeface of Swiss typography. Swiss graphics were the most objective form of advertising, perhaps because most of it came from the pharmaceutical and chemical industry. Akzidenz-Grotesk was dominant in industrial advertising, in posters, and in all matters technical and avant-garde..
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New details about the origins of AkzidenzGrotesk · Klim Type Foundry
Akzidenz-Grotesk in use. First issued by Berthold in 1898 as Accidenz-Grotesk. Many loosely related styles from various sources were incorporated into the family, see also Akzidenz-Grotesk Condensed. Further extended and homogenized by G.G. Lange from the late 1950s on. Lange regarded Royal-Grotesk as the key source and credited it to Ferdinand Theinhardt, but that is refuted, see Eckehart.
Akzidenz Grotesk The History of a Typeface Typeface, Font psychology, Typography design
This typeface specimen booklet guides the reader through the history, usage, and influence of Akzidenz Grotesk on subsequent typeface development. This piece is also an exploration of roles type can play in a narrative. In this case, the body copy acts as the primary voice while type as image creates a secondary voice.
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A short film about the world-renowned typeface 'Akzidenz Grotesk.'Music; Sigur Rós -- Glósóli